Tuesday 29 October 2013

The Automobile Society-Proposal





One has to go back a while to recall a time when cars were simply means of transportation. In those days, they were just considered automobiles. Today, cars are extensions of their owners. They make statements about the character and status of their owners,” published Ebony Magazine in an article named ‘Celebrities and Their Favorite Cars’ in November 1987.

Whether manufactured in Germany, Britain or even Japan, each car is characterised with unique specifications. The luxurious German cars, the reliable Japanese cars and the strong built British cars, are all qualifications that distinguish not only the automobile, however, the owner of the vehicle as well, in our present day.

I propose exhibiting the unique specifications of different brand cars through the use of photography. By using German (Porsche), Japanese (Mitsubishi) and British (Range Rover) cars to photograph both exterior and interior components, this would entitle me to verify the differences between the brands and their owners.

There are several reasons behind choosing cars as the main subject of the project. Initially, I have always been a fan of cars, this is partially due to the fact that I was born and raised in a country where cars are a symbolic tool, which define their owner. This of course causes a spark in society, which leads people to buy luxury cars in order to sustain a level of visible wealth to others. A second reason would partially be because cars are a vital piece of technology that have transformed our present form of transportation to be of ease and efficiency. Therefore, I find it important to reflect upon all mechanisms of a car through the use of photographs, to show how significant they are to our modern society.





The target area that my photographs will be taken at is my uncle’s house in Castleknock, Dublin 15. As mentioned previously, only three cars will be used for the photo-shoot, each from a different country manufacturer. This project will commence at the beginning of November and will last for approximately five months, hence till the beginning of April. Our teacher, Dragana Jurisic, initially allocated the five months time frame to us. The advantage of having five months to work on the photo-shoot is the fact that winter and spring will be two seasons witnessed during the time frame; therefore the variety of natural color/light that could be used while photographing is instantly increased.

In order to complete my end project, certain methods and gadgets will need to be obtained and carried out throughout the photo-shoot. At first, I will be using the same smartphone camera for each photograph; that is an HTC One 4 Ultra Pixel camera, along with a 12X Zoom Lens. The photo-shoot will take place under different weather conditions such as, daylight, nighttime, rain and clouds etc. This will give a sense of diversity in the photographs color and tone. I intend to keep a constant rhythm within my photographs, where each one is a close up of the object being captured. This will give a depth of detail to each component.  Once all photographs are taken, postproduction software’s will be used to edit the photographs, such as Snapseed and Photoshop.

As mentioned previously, I will aim at showing the distinctions between the three different cars by taking a range of exterior and interior photographs, such as the steering wheel, dashboard, gages, wheels and exhaust pipes etc. This project will definitely influence me into adapting new methods of capturing a photograph. To conclude, the outcome of the project is to demonstrate that no social separation should be regarded due to a type of vehicle, as at the end of the day, a cars core purpose is to deliver from point A to point B.





Citation(s):


  • ·       "Ebony." Google Books. N.p., n.d. Web. 23 Oct. 2013.


Thursday 17 October 2013

War Photographer



James Nachtwey is an American Photo Journalist that grew up in Massachusetts. During the early 1970's Vietnam was at war and within this time period Nachtwey had just begun his career as a newspaper journalist in New Mexico. However, images captured during the Vietnamese war impacted his inner feelings and raised his ambitiousness to begin a series of war photographs which would seek truth to the world. Therefore, in 1980 he had a change of heart and decided to move to Newyork City and commence his new career as a war photo journalist. He once said, "I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated."

Questions:


  1. What kind of personality is required to carry out a job of a photo journalist such as James?
Christiane Amanpour, a British-Iranian CNN foreign correspondent stated and described Nachtwey as a "single minded" photographer. This vague yet precise description contributes to analyzing James personality. As shown in the movie, James is a very calm, respectful and quite man which are all characteristics of a photo journalist. In order for one to succeed in life, he/she has to be patient, and this plays a crucial role in photo journalism specifically, because photographers firstly have to patiently wait at times for a certain event to occur and secondly have to be precise and calm in order to take that one perfect shot when it's time.

     2. What do you think of his approach to photographing people?

"I try my best to approach people with respect." The moment you gain people's respect, be determined that your goals will be reached. James uses respect as a tool to aid him capture the perfect moments during an event, because once he gains that mutual respect from his interviewee's, he is capable of invading their personal space. This to many might sound problematic, however on the contrary it actually isn't  As seen throughout the film, James camera lens was literally centimeters away from his interviewee's face's, however, due to the mutual respect shared at the start, the interviewee's wouldn't even notice James. He might have been invading their own personal space, however they surely felt comfortable with James being very close to them, as at the end, they we're the ones in seek of help; hoping to be heard by the rest of the world. Therefore, this is a very effective approach which made James's photographs unique and more meaningful to the audience.

     3. What kind of subject does STERN magazine cover?

STERN magazine is a weekly news magazine that was first founded in 1948 and published in Germany. Unlike many of its European competitors, STERN actually publishes its magazines till this day. There is only one main aspect which makes it different to other magazine's, that is the fact that it focuses solely on covering serious news stories and including journalistic photography. During the film, STERN employees and employers were shown gathered around a white board filled with what seemed to be James's war photographs, discussing which they should publish in their magazine.

     4. What conflicts did James cover in his film?

James covered several conflicts in his film, which included:
     5. What pictures ended up being used?

After years of hard work and travelling the world to witness different conflicts, James finally returned back home and decided it was time to share his photographs to the world. His exhibition included a variety of images from different conflicts, however, as he probably would've taken thousands of pictures, he certainly had to limit the amount of photos he could display of each conflict. Having a reasonable amount of photographs also permitted him to edit some of them, these included basic shadow and light edits.

     6. Why did he become a war photographer?

As mentioned earlier, James was greatly influenced by the photographs taken during the Vietnamese war and ever since, he has devoted himself to being a war photographer.

Friday 11 October 2013

Photo Marathon


Dirty Old Town


Love is in the Air


Halloween


Street Art


Street Style


Friday 4 October 2013

Photoshop Exercise Two


Original Photos:



Edited Version


Original Photos:-




Edited Version


Photoshop Exercise



Original:-


Edited Version

Original:-


Edited Version

Original:-


Edited Version

Original:-


Edited Version

Original:-
                            

Edited Version
Filter One[Artistic,Watercolor]
Filter Two[Texture,Grain]

Edited Version
Filter One[Render,Lens Flare]
Filter Two[Artistic,Film Grain]

Edited Version
Filter One[Distort,Diffuse Glow]
Filter Two[Sketch,Photocopy]
Filter Three[Brush Strokes,Dark Strokes]

Thursday 3 October 2013

Fixing The Shadows


In the past 'Art' was a talent only artists could master through their paintings, but with the introduction of photography in 1839, 'Art' expanded and became a talent photographers could enjoy as well. 'Fixing The Shadows' is a documentary which looks at the history and beginnings of photography. Photographs were expensive when their era arose, which meant only the rich and wealthy could afford taking photographs. Most photographs were identical at the time, due to the fact that camera's used to be slow, hence when an image was captured, the personnel in the photo had to be as still as possible. However, as time progressed 'Kodak', the international camera brand known till this day, began selling low cost $1 camera's to the public. Their vision was that the less fortunate could enjoy the art of photography as well. That caused a slight change in the concepts of photos as they no longer had to be serious, but instead became more lively. This meant families and friends captured memorable moments filled with laughter and joy on their Kodak's, in contrast to serious, straight faced images which the wealthy used to capture.

Around the 1850's when the era of camera's began booming, society at the time had a different vision at using a camera to the present society we live in. In addition to the basic concept of taking photographs with family and friends, camera's at the time were used as a medium to capture a photograph of the dead. Families would take images of their dead loved ones as a memory to keep with them.

Furthermore, the documentary focused on an interesting camera effect which was developed at the time; 'Camera Obscura'. 'Camera' in this context is Latin for room, while 'Obscura' is dark. The title of the effect explains itself, as the method revolves around going into a dark room on a bright day, simply making a small hole through a window blind and basically looking at the opposing wall to the window. This basic procedure projects the world outside in full color and specification onto the opposing wall, however, upside down.



Following are some of the famous photographers the documentary referred to: